Self-portrait with 1948 Linhof Super Technika
The oldest camera in my collection a Pony
Premo from 1893. In the
Sears Roebuck catalog of that year it sold for $24.50. Built with varnished mahogany, red leather bellows, a brass
shutter and nickel-plated fittings, it has a revolving back for shooting
4x5" film in either orientation. It still works beautifully.
The legendary Rollei 35S, with the equally legendary Sonnar collapsible
lens. It doesn't get any sharper than that. Less than 4 inches wide, it
shoots a full 35mm frame.
A Minolta 16. This camera is about the size of a
cigarette lighter and shoots single frames of 16mm wide film. Back in
college I used it for candid photography for the yearbook. I bought a
100-ft. roll of Tri-X movie film and reloaded the special cassettes. I
calculated that I would get about 4,000 shots from a roll.
This 1951 Flexora was an entry-level twin lens reflex made by Lipca, a small company in northern Germany. The frame counter/auto transport stop on the side was an optional accessory from another company, Plaubel. The Prontor shutter has the unusual aperture range of f/3.5, 4.5, 6.3, 9, 12, 18 and 25.
I got into photography entirely of necessity. I had no choice. My college
major was art, but I discovered as a sophomore that I just couldn't
for both my career and self-esteem, I discovered that (a) the college
yearbook needed a staff photographer, and (b) William Henry Fox Talbot,
the inventor of photography as we know it today, suffered the same unfortunate
and obvious lack of drawing skills. To make up for it, he invented what
he called photogenic drawing, a method of capturing a negative
image of an object on sensitized paper.
So I taught myself
basic darkroom techniques in record time and mastered the idiosyncrasies
of an ancient 4x5 Speed Graphic I found in a closet. And loved every
minute of it.
In the intervening
years I've explored most genres of the photographic world journalism,
editorial, advertising, and various fine art processes, including gum
bichromate prints, photo silk screen printmaking, photo etching and polyester plate lithography.
These days I concentrate
on an annual group photography exhibit in Denver, building the wooden
pinhole cameras you've seen on this website, and shooting video and
stills for the Department of Homeland Security and Argonne National Laboratory.
My photographs have been exhibited in various venues, including the Open Shutter Gallery in Durango,
Loretto Heights College, Hal Gould's legendary Camera Obscura Gallery in
Denver, the Denver Performing Arts Center, the National Center for Atmospheric Research in Boulder, and the Chelsea National Bank in New York City.
And when there's
any time left over, I restore antique sports cars and write books.
I was born in Dearborn, Michigan;
grew up in Germany; went to high school in Switzerland; attended college
in Illinois; moved to Colorado in 1973, lived in Bavaria and England for
two periods, and then moved back to Colorado.
My very first camera, a 1958 Brownie Starflash.
Remembering the design trends of those years, I assume that the color
must have been called something like Caribbean Sun-Glow Coral Mistfire.
And below is my first picture with this camera. That's my 7-year-old brother, in his bed in a hotel room in Lucerne,
This Kodak Diodak, made sometime between 1932–36, is a beautiful example of how Art Deco design was applied to common consumer products. (It was designed by Walter Dorwin Teague, whose company still exists, having designed the interiors of every Boeing airliner since 1946.) I found it lying at the bottom of a crate of junked cameras in a local store. Amazingly, it was undamaged and shows almost no sign of ever having been used.
For many years I had wanted to own a Leica, and I finally knew the time had come. This is a Leica model III, made in 1936. The lens is a collapsible 50mm f/2 Leitz Summitar, made in 1952. This combination works beautifully, like a piece of fine jewelry. With my first roll of film in it, I got an image for my next book.
This is my 1955 Voigtlãnder Perkeo II, the camera used to take my own picture on my home page (shooting into a mirror). Despite
the fact that it shoots a medium-format 6x6 cm negative, it folds up small
enough to fit into my jacket pocket with all its vintage accessories
a removable rangefinder, a close-up lens, a light meter the size of a
sugar cube, and an original Kodak polarizing filter (with instructions). The
Color-Skopar lens is one of the sharpest front-focusing lenses ever made.
An Exakta IIa from East Germany, made 1960–63. These
cameras were built like tanks, and besides their durability, they were
known for being "left-handed." The shutter release and film
advance lever were on the left side of the body. Another oddity was that
their old mechanical shutters would time an exposure down to 16 seconds.
The lens on it, which I usually use on my modern digital cameras, is a Meyer-Optik Trioplan from the 1960s.
These are very simple three-element lenses which produce a beautiful unique bokeh: out-of-focus highlights appear as rimmed circular "bubble" shapes.
Another camera that deserves to win some kind of beauty contest, a 1967 Flexaret VI, made by Meopta in Czechoslovakia. It can shoot three different formats of pictures: 6x6cm and 6x4.5cm on 120 film, as well as standard 35mm film with an adapter. It was quite popular in Europe but almost unknown in North America.